NOTE:
We will not extend closing date - please upload your photos on time
8th Circular Exhibition of Photography
ACRUVIUM CIRCUIT 2023 Fully PSA approved 2023-346 CA – OVERVIEW
ORGANIZERS
Photo club Cattaro, Kotor, Montenegro
Cultural center Niksic, Niksic, Montenegro
Cultural center Budva, Budva, Montenegro
ORGANIZING COMMITTEE
Bogdan Bogojevic, Vidikovac BB, Kotor, Montenegro, Chairman of the organizing committee, fkcattarro@gmail.com
Email of the Exhibition office@photoclubcattaro.com
Website of the Exhibition http://photoclubcattaro.com/main/index.php
- There are 6 sections, all digital:
A) OPEN COLOR (only color) PID-C
A) LANDSCAPE (only color) PID-C B) OPEN MONOCHROME (only monochrome) PID-M B) PORTRAIT MONOCHROME (only monochrome) PID-M D) NATURE (color/monochrome digital) NDC) PHOTO TRAVEL (color/monochrome digital) PTD
ENTRY FEE (for all 3 salons)
25 Eur. for any 1 or 2 or 3 section
30 Eur. for any 4 or 5 or all 6 section
For the group entry with more of 10 participants is provided discount of 20%.
Possible ways of payment:
- PayPal transfer
- Cash, Checks and IRC are not accepted.
- The works of the authors who did not pay the fee would not be taken into consideration.
CALENDAR
Closing date: 20.07.2023.
Judging: 01.08.-10.08.2023.
Notification: 20.08.2023.
On-Line Gallery posted after: 20.08.2023. www.photoclubcattaro.com On-line PDF Exhibition Catalog: 08.10.2023.
Sending of awards: 08.10.2023. REPORT CARD NOTIFICATION
All participants will receive report card notifications via e-mail.
The results of the exhibition will also be published on the website www.photoclubcattaro.com EMAILS SPAM BLOCKING:
Confirmations
of entry submittals and Report Cards will be sent to entrants Please be
sure that this email address gets included in your “safe” email
addresses to assure receipt of these
emails instead of having them blocked by your security system. Also check your Junk E-Mail
or Spam folder to see if your email software placed any messages from the exhibition there. JURY MEMBERS Kotor (all sections)
Frank HAUSDOERFER, MPSA, EFIAP, C***MOL, R-ISF10, GPU VIP2, GPU 4 Crowns, GPU Aphrodite, WPAI Silver, EÖVF, MIIWF, FAPU, PSA PIDC 5 Galaxy, PSA PTD 3 Galaxy, DVF Bronze, Germany
Luc STALMANS, MPSA, EFIAP, Belgium
Jasmina MOJSIN, AFIAP, Serbia
Niksic (all sections)
Geza LENNERT, EFIAP, MF FSS, Serbia
Dao Tien DAT, ESVAPA, EVAPA, EFIAP/d2, MPSA, MEAPU/b, R-ISF5, FWIEP, Vietnam
Yiliang YANG, EPSA, FAPAS/FPVS/FAPU, China
Budva (all sections)
Massimo TOMMI, EPSA, EFIAP/b, GPU CR3 VIP3, Italy
Saeed ARABZADEH, EFIAP, Iran
Zoran MOJISIN, EFIAP, Serbia
AWARDS
Kotor
PSA Gold medal in each section (4 altogether)
SALON Gold, Silver, Bronze medals in each section (12 altogether)
+ 6 SALON honorable mention ribbons in each section (24 altogether)
Niksic
PSA Gold medal in each section (4 altogether)
SALON Gold, Silver, Bronze medals in each section (12 altogether)
+ 6 SALON honorable mention ribbons in each section (24 altogether)
Budva
PSA Gold medal in each section (4 altogether)
SALON Gold, Silver, Bronze medals in each section (12 altogether)
+ 6 SALON honorable mention ribbons in each section (24 altogether)
The
jury reserves the right to grant additional awards. Each author can
receive only one award
in each of the section. The decision of the jury
is final and irrevocable, complaints are not possible. CATALOG
PDF Downloadable from web site by exhibitors on our web site: www.photoclubcattaro.com
CB - Details of Exhibition requirements
CONDITIONS OF ENTRY
IMAGE AND ENTRY REQUIREMENTS This exhibition is open to anyone; however, an entry
may
be rejected when the Sponsor or the Exhibition Organizers, in their
reasonable discretion, believes the entry does not conform to exhibition
rules and these Conditions of Entry. Membership in any photographic
organization is not required. Penalties: Entries will not be accepted from any entrant who has put on the PSA Penalties
List for Ethics Violation. Entry fees are not refundable in these circumstances
PSA Star Ratings
To
receive proper Star ratings credit from PSA, entrants must provide
their names and country exactly the same way in each exhibition. Aliases
are not permitted. Please contact PSA in the event of name changes or
relocating to another country. Using one’s name differently in
different exhibition exposes the entrant to the risk that many of their acceptances may not be recognized by PSA Star Ratings.
Image Creation
Entries
must originate as photographs (image-captures of objects via light
sensitivity) made by the entrant on photographic emulsion or acquired
digitally.
Certification:
By virtue of submitting an image, the entrant certifies the work as his or her own. Images may
not
incorporate elements produced by anyone else (for example: clip art,
images or art by
others downloaded from the Internet). Aliases are not
allowed.
Reproduction
The entrant permits the sponsors to reproduce all or part of the entered material free of charge
for
publication and/or display in media related to the exhibition. This may
include low resolution posting on a website. The Photographic Society
of America (PSA) may request specific permission from entrants to
reproduce entered images in its educational materials. The terms
of that permission will be mutually agreed between the entrant and PSA except in the circumstances where the entered image is found to breach the PSA Ethics Policy. In
those
circumstances the image may be reproduced by PSA, without the entrant’s
further permission, for educational purposes to illustrate serious
exhibition rule violations. For those reproductions, the entrant’s name
will be withheld. Entries will not be accepted from entrants
who indicate that their images may not be reproduced in materials
related to the exhibition.” The exhibition assumes no liability of any
misuse of copyright
Alteration and Computer Generation
Subject to Divisional restrictions (particularly Nature, Photo Travel,
and Photojournalism) images may be altered, either electronically or
otherwise,
by the entrant; adjustments to enhance images or creatively modify images are allowed
providing
the underlying photograph is retained in a way that is obvious to the
viewer. Images may not be constructed entirely with a computer, and
must be the sole work of the entrant
Re-use of accepted images: Any image that has been accepted in this exhibition, past or
present,
may not be entered again in the same Division Star Ratings Class in any
future instances of this exhibition. It may, of course, be entered in
any other PSA recognised
exhibitions but must always have the same title. Re-titling in another language is not allowed.
Entry: An
Entry consists of, up to and including, four (4) images entered by a
single entrant into the same Section. An entrant may only enter a
specific Section once. Entrants may not enter identical or similar
images into the same section or different sections of the same
exhibition.
Titles: Each image must have a unique title that is a description of the image.
That unique title must be used for entry of that image or of an
identical Image into any and all PSA-Recognized exhibitions. Titles must
be 35 characters or fewer. No titles may be visible to the judges, and
nothing in the image may identify the entrant. Titles may not include
file extensions such as .jpg or .jpeg (or any other camera capture
filenames such as IMG 471). Titles may not consist of personal
identifiers possibly augmented by a number; or include words such as
“untitled” or “ no title”. Titles may not consist solely of
numbers unless those numbers are prominently contained within the image,
such as a contestant number in a race.
Color and Monochrome: Color and Monochrome images from the same capture that share substantial pictorial content
in common will be considered the same image and must be given the same title.
PHOTOGRAPHS AUTHORS MUST FILL OUT ENTRY FORM AND SUBMIT PHOTOS ONLINE
- Photos must be in JPG file format, Max. image width (horizontal) is 1920 pix. Max. image
height (vertical) is 1080 pix. in 300 dpi. compression 7-12, max 2Mb.
The Exhibition will be conducted in
accordance with the rules of the PSA
An entrant’s images will not be
presented to the judges consecutively.
An entrant’s four images will be distributed throughout four rounds of
judging in that section. Distribution of
images will be in the same round order as submitted by the entrant.
JUDGING METHOD
Remote judging of images will be with calibrated computer monitors (minimum 19 inches) or
high definition TV screens at 100% of the submitted pixel size (1920x1080 pix).
Equipment will be capable of displaying images at 100% of the image resolution, it will not
resize any submitted images or change the aspect ratio of the original image to “Fit to screen”
or to “Fill screen” by monitors or HDTV equipment.
Oversized images will be rejected and the entrant required to resubmit their entry with properly sized images.
All information, including image file names, provided to the judges for remote judging must
retain
complete anonymity of the entrants and not provide the judges with any
means of determining any entrant’s personal details, such as name, email
address, or country.
The target acceptance rate will be between 29% and 35% in each section.
DATA PROTECTION
By entering this exhibition, you are explicitly consenting to the personal details you have
supplied, including physical addresses, email addresses, being held, processed and used by
the exhibition organizers for purposes associated with this exhibition. You also explicitly
consent
to such information being sent to organizations that have accorded
official recognition, patronage or accreditation to this exhibition. You
acknowledge, agree and accept that by
entering this exhibition, your participation status which includes your first and last name, name
of the country used during registration at the exhibition, number of sections entered and
number of photos entered in those sections will be made public in a published status list and
that the results of your entry shall be made public in exhibition gallery, exhibition catalog. You
also agree and accept the policy regarding Breaches of Rules of the PSA.
CC - Subject matter and definitions
SUBJECT MATTER AND SECTION DEFINITIONS
Statement on Subject Matter - applicable to all sections
The fundamental rule that must be observed at all times and applies to all sections offered in exhibitions with PSA recognition is that the welfare of living creatures is more important
than any photograph.
This means that practices such as baiting of subjects with a living
creature and removal of birds from nests, for the purpose of obtaining a
photograph, are highly unethical,
and such photographs are not allowed in any exhibition with PSA
recognition. Under no circumstances may a living creature be placed in a
situation where it will be killed, injured or stressed for the purpose
of obtaining a photograph. Images that show live creatures being fed
to captive animals, birds or reptiles are not permitted under any circumstances.
There
are also concerns about the use of aerial photography, drones,
helicopters, low flying aircraft. These should not cause any
interference with other individuals or animals which
causes a
disturbance in their normal activity or disrupt the way any individuals
or animals
interact with their environment. Entrants in PSA
recognized exhibitions should comply
with all relevant laws and
regulations, associated with aerial photography, in the country
in which
the image was taken.
Entry into PSA recognized exhibitions is conditional on accepting these policies. The content
of images must comply with the General Conditions and with the Division and Section
definitions
listed in these conditions. Images that - in the sole opinion of the
judges or the Exhibition Organizers - do not comply, will be
disqualified so the entrant may be aware of the problem
when considering entry into other exhibitions with PSA recognition
Landscape Definition in PID-C
This category is typically a photograph that captures the presence of nature and may include sea/oceans/water/underwater.
It can have man-made features (e.g. city skylines) or disturbances of landscapes, with or without people on photography.
Representational landscapes (more natural and realistic), an impressionistic landscape or abstract landscape photographs are allowed.
Attention is drawn to the PSA Statement on Subject Matter which applies to all sections
PSA Monochrome Definition
An
image is considered to be Monochrome only if it gives the impression of
having no color (i.e. contains only shades of grey which can include
pure black and pure white) OR it gives the impression of being a
greyscale image that has been toned in one color across the entire
image. (For example by Sepia, red, gold, etc.) A greyscale or
multi-colored image modified or giving
the
impression of having been modified by partial toning, multi-toning or
by the inclusion of spot coloring does not meet the definition of
monochrome and shall be classified as a Color Work.
Greyscale Monochrome images may be entered for Nature, Photojournalism and Photo Travel but toned images are not permitted for these sections.
Monochrome images may not be entered in PID Color Sections.
Attention is drawn to the PSA Statement on Subject Matter which applies to all sections
Portrait Definition in PID-M
Our definition of the Portrait section; a photograph of a person or group of people who are aware they are being photographed
An image is considered to be Monochrome only if it gives the impression of having no colour (i.e. contains only shades of grey which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one colour across the entire image. (For example by Sepia, red, gold, etc.) A greyscale or multi-coloured image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot colouring does not meet the definition of monochrome and shall be classified as a Colour Work.
Attention is drawn to the PSA Statement on Subject Matter which applies to all sections
Editing Guidelines for Nature and Photo Travel
These sections require images to be truthful records, so there are limits on the amount of manipulation allowed.
Editing Guidelines
Processing
or editing must be limited to making the image look as close to the
original scene as possible, except that conversion to grayscale
monochrome is allowed.
Allowed editing techniques:
• Cropping, straightening and perspective correction.
•
Removal or correction of elements added by the camera or lens, such as
dust spots, noise, chromatic aberration and lens distortion.
•
Global and selective adjustments such as brightness, hue, saturation and
contrast to restore the appearance of the original scene.
• Complete conversion of color images to grayscale monochrome.
•
Blending of multiple images of the same subject and combining them in
camera or with software (exposure blending or focus stacking);
• Image stitching – combining multiple images with overlapping fields of view that are taken consecutively (panoramas);
Editing techniques that are not allowed:
• Removing, adding to, moving or changing any part of an image, except for cropping and straightening.
• Adding a vignette during processing.
• Blurring parts of the image during processing to hide elements in the original scene.
• Darkening parts of the image during processing to hide elements in the original scene.
• All conversions other than to complete grayscale monochrome.
• Conversion of parts of an image to monochrome, or partial toning, desaturation or over-saturation of color
Borders
For
the purpose of this exhibition any border added to a digital file must
be a single border of white or grey, no greater than 3-5 pixels in
width.
PSA/FIAP Nature Definition
Content Guidelines
•
Nature photography records all branches of natural history except
anthropology and archaeology. This includes all aspects of the physical
world, both animate and inanimate, that have not been made or modified
by humans.
• Nature images must convey the truth of the scene that
was photographed. A well-informed person should be able to identify the
subject of the image and be satisfied that it has been presented
honestly and that no unethical practices have been used to control the
subject or capture the image. Images that directly or indirectly show
any human activity that threatens the life or welfare of a living
organism are not allowed.
• The most important part of a Nature image is the nature story it tells. High technical
standards are expected and the image must look natural.
•
Objects created by humans, and evidence of human activity, are allowed
in Nature images only when they are a necessary part of the Nature
story.
• Photographs of human-created hybrid plants, cultivated
plants, feral animals, domesticated animals, human-created hybrid
animals and mounted or preserved zoological specimens are
not allowed.
• Images taken with subjects under controlled conditions, such as zoos, are allowed.
•
Controlling live subjects by chilling, anaesthetic or any other method
of restricting natural movement for the purpose of a photograph is not
allowed.
Attention is drawn to the PSA Statement on Subject Matter which applies to all sections and
to the Editing Guidelines for Nature, and Photo Travel
PSA Photo Travel Definition
A Photo Travel image is a portrayal of the real world we live in, as it is found naturally. There
are no geographic limitations.
Content guidance:
1.
If the image is predominantly or exclusively a land-, sea- or
cityscape, these “scapes” must include characteristic, distinctive and
recognizable physical features, although it is not
necessary that the image identify the exact location;
2.
Images that predominantly or exclusively depict people and their
activities must illustrate a distinctive culture of a country, region,
or continent;
3. Images that predominately or exclusively depict
animal populations are allowed, if the animals are in their native
environment and are characteristic of that country, region, or
continent;
4. Portraits or other close-ups of people or objects, in addition to meeting the above
paragraphs as applicable, must include elements depicting some of the surrounding
environment to make it obvious that the image was not taken in a studio setting;
5. Images from events or activities arranged for photography, or of subjects directed or hired
for photography, are NOT allowed.
6. Time exposures are allowed, if they do not dominate the image as a special effect (star
trails, for example, are a dominating effect).
7. Highly distorted images such as those produced by fish eye lenses are NOT allowed.
Attention is drawn to the PSA Statement on Subject Matter which applies to all sections and
to the Editing Guidelines for Nature, and Photo Travel
CD - General Rules
Breaches of Rules
Entrants are strongly advised to look at the PSA Ethics Policy which can be found at
https://psa-photo.org/page/ethical-practices.
If,
at any time, it is determined in the reasonable discretion of the
exhibition organizer or the judges before, during, or after the judging
of an exhibition that an entrant has submitted entries where one or more
images may fail to comply with these Conditions of Entry, including the
stated definitions, exhibitions, on behalf of the judges, are allowed to request unedited or raw
files of the submitted image
In order to ensure that images comply with the Conditions of Entry and definitions, the
exhibition organizers may carry out reasonable measures to verify that:
a) the images are the original work of the entrant and
b) the images comply with the rules and definitions as set out in these Conditions of Entry
These
steps include, but are not limited to, questioning any entrant,
requiring the submission of RAW files or other digital files
representing the original capture of the submitted image(s), confronting
the entrant with evidence that one or more submitted images fails to
comply with
the
Conditions of Entry (also known as Entry Rules), and offering the
entrant a reasonable opportunity to provide counter evidence to refute
the exhibition organizer’s evidence by a set deadline. Such entries that
are not cleared or are still questionable after the entrant has
presented evidence may be considered in breach of these Conditions of
Entry, and declined. Such entries may be referred to PSA for further
investigation of possible ethics violations
PSA, on receiving reports from exhibitions of possible breaches, retains the right to investigate
in any way all complaints/suspicions of breaches of entry conditions, impose penalties if
deemed necessary, void the acceptances of any image found to violate the PSA rules, include
the entrant’s name on the list of sanctions provided to Exhibitions, and share such
investigations
with FIAP. Entrants automatically agree to these terms by the act of
entering the Exhibition and agree to cooperate with any investigation.
If
another party is submitting images on the entrant’s behalf, the entrant
will still be held responsible for adhering to these Conditions of
Entry (Entry Rules) and will be subject to penalties for any violations to these Conditions of Entry and PSA’s Statement of Ethics that
may result.
If another party is processing images for an entrant or submitting images on the entrant’s
behalf, the entrant will still be held responsible for adhering to all Conditions of Entry including
the specific conditions in the relevant definitions.
NOTICE:
When entrants fills in the Entry Form to submit an entry they will see
the following feature to affirm they have read these Conditions of Entry
“I hereby confirm that I have read, understood and agree to the
Conditions of Entry of this exhibition. I have read the PSA document to
be found at
https://psa-photo.org/resource/resmgr/pdf/exhibitions_/exhibition-entrants-agreemen.pdf.
I am aware that PSA may apply penalties for breaches of these
Conditions of Entry”
Failure to agree will mean that the application will not proceed.
Licence agreement:
By
submitting an entry, the entrant certifies legal Age, and own all
rights to these images, including copyright or parents or guardians
gives permission on his/her behalf if he/she is not
of Legal Age.
The exhibition assumes no liability for any misuse of copyright.
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